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Today, those additions make little difference. Phil Spector's odd postproduction edits only added to the critical fodder. Take a dart and throw it at the eclectic track list, and you'd score an example of brilliance in both live recording, performing or writing. "Let It Be" was poorly received by the critics which today seems laughable. And The Beatles were a primary target for the mill. Critics who were becoming a separate discipline, lying in wait to topple the successful, so they could gain respect and access.and influence. And, in the absence of any fact, the media could always make something up. Reporting the most mundane morsel of what was going on with the group was its own industry. The Beatles were a phenomenon unlike anything seen before primarily due to a growing interconnectedness of media that spread news (or rumor) with lighting speed. So time puts enormous pressure on getting the work done.
#Let it be the beatles origiunal piano music second page movie#
Starkey is under contract to begin a movie at month's end, and the planned project includes an album, a TV special, a film plus a live performance in just 3 weeks. But there's a tight deadline for the project. Seeing McCartney and Lennon create-almost wordlessly-is riveting, and watching Harrison's resentment over being ignored or dismissed, painful.
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The group was just too confining, the mind-meld between McCartney and Lennon too dominant for Harrison and Starkey. In fact, Jackson lets us witness the growth of 4 talented people ready to move on with their drive towards solo careers. Today, all of that seems like manufactured craziness, but Peter Jackson recreated what may have happened, offering a correction of what people erroneously believed as a clash of inflating egos and tantrums caused by (1) Yoko Ono's presence and (2) the pulling apart of the group by domesticity. Back when, there was such a ruckus and hurled allegations from all quarters: the band members, the critics, the (mostly) stoned fans and interested parties.
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There's a reason for an 8-hour documentary about the recording of The Beatles final release.